Harlem Renaissance: A Cultural Movement in America
1918 - 1930
Harlem, NY, United States
Cultural pride and activism
Introduction
Background and causes of the Harlem Renaissance
Key events of the Harlem Renaissance
The Harlem Renaissance unfolded through a series of significant cultural and literary events that showcased African American creativity and expression between roughly 1918 and the mid-1930s.
Early cultural milestones
In 1918, Harlem began to attract a large number of African American artists, writers, and intellectuals, becoming the heart of the movement. The NAACP’s magazine The Crisis, edited by W.E.B. Du Bois since 1910, provided an important platform for Black writers and thinkers during this time. Around 1919, Jessie Fauset’s rise to literary editorship at The Crisis helped to launch many new literary talents. In the early 1920s, new journals such as Opportunity and The Messenger started publishing African American poetry and essays, amplifying the voices of emerging writers. These periodicals were crucial in developing and circulating the movement’s ideas and works.
Key gatherings and publications
The Harlem Renaissance featured important social events that celebrated its artists and writers. One notable event was the 1924 Civic Club Dinner honoring Jessie Fauset, which was presided over by prominent figures including Alain Locke and Charles S. Johnson. This dinner symbolized the growing recognition of African American literature and culture within and beyond Harlem. That same period also saw the publication of landmark literary works such as The Weary Blues by Langston Hughes in 1926, which captured the rhythms and emotions of Black life in America. Meanwhile, Marcus Garvey's ideas on Black pride and identity gained momentum through his newspaper Negro World, published from 1918 onward.
Artistic and musical flourishing
Throughout the 1920s, Harlem became a vibrant center for music, theater, and visual arts alongside literature. Jazz legends like Duke Ellington, Louis Armstrong, and Billie Holiday performed in Harlem’s nightclubs, intertwining their music with the Renaissance spirit. Theatrical productions, visual arts exhibits, and dance performances also thrived, revealing a wide array of Black cultural expression. Artists such as Aaron Douglas and Augusta Savage contributed visual works that portrayed the Black experience with new pride and realism. Performers like Josephine Baker captivated audiences both in Harlem and internationally, further spreading the Renaissance’s influence.
Momentum and legacy by the 1930s
By the early 1930s, the Harlem Renaissance had developed into a multifaceted cultural movement that challenged prevailing racial stereotypes and asserted African American identity and dignity through art. The publication of memoirs and reflective works, including Langston Hughes’s The Big Sea in 1940, provided retrospective accounts of this era’s creative explosion. While the Renaissance’s vibrancy had evolved by this time, the key events of this period clearly established Harlem as a landmark cultural epoch in American history.